And their beauty is sometimes disfigured by some nasty pop-in that can leave terrain textures looking almost literally like something out of Minecraft – it’s especially pronounced on stone walls in ruins. On the other hand, that variety is only skin deep: all the locations are functionally identical (there are no effects of heat or cold and no unique conditions) and each one is inhabited by the same types of enemies and wildlife.
Each area is full of ruins and other structures to climb on and tunnels to explore, plus an urban Fortress area unlike anything in Shadow of Mordor’s map. Each of Shadow of War’s five zones looks markedly different, and fast-traveling between the icy mountains of Sergost to the green swamps of Nurnen and the volcanic Gorgoroth gives it a good sense of variety. Each of the five zones looks markedly different.The story goes to interesting places – visually, at least. And there are a few original characters, especially the returning Ratbag, who provide some decent comic relief in the absence of dwarves or hobbits. A growing conflict between the stoic and pragmatic Celebrimbor and the empathetic and Gondor-loyal Talion adds some depth to both characters, though with all the setup I was expecting a choice between their philosophies that never came. Flashbacks to the Ringwraiths’ corruption give the ghostly Nazgul a tragic side, battles with the fiery Balrog are big on spectacle, and witnessing the founding of Minas Morgul (several hundred years later than J.R.R Tolkien suggested) are all standouts – if you can stomach the non-canon version of events.
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